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Following the novel 2003, to Lauren Weisberger of The Devil Wears Prada, has the publishing world a huge boom in the areas of already-existing chick-lit: The friendship swoony between, awkward young ingénue New York and a nice man perfect, which is located on her despite the errors it is abundant, mostly because he does not have enough features or agency to deal with them. I do not know how to do it, and adapt to Allison Pearson's bestselling movie of the 2002 novel of the same name, is in all ways a continuation of this type of story, and took a few years down the line for the traditional good luck after than ever before. After. Sarah Jessica Parker plays clumsy, embarrassing, terrible, but theoretically endearing protagonist who is trying to balance high-level career and her family; Greg Kinnear is a vanilla illness, the husband of an attractive overall. In theory, and another film is to explore the antique from the pressures of womanhood modern, but in practice, it offers exactly the same thing, such as those books ingénue NYC: cookie cutter you want to meet and porn lifestyle Romantics, with ease and lonely.
Director Douglas McGrath (Emma, who was known) and screenwriter Aline Brosh McKenna (The Devil Wears Prada .27 dress) to bring I do not know how to do and to the screen in fashion, spritely bustling, their goal of storytelling with voiceovers jokey, and the freezing of quirky asides frame, pop-ups the on-screen text, and a fake documentary confessions directly to the camera. And confessions to clarify how to meet Parker's hectic and information technology for all lifestyle really, the various sub-characters reveal themselves as shallow morons bragging about their own lives from one side, and focus exclusively on the life of the home or work. At the same time, in spite of your best friend Parker insists in voiceover that it is capable fantasy both as bringing the first of Finance and Industry and as a result of supermom, Parker miserable indeed negligent Kinnear and their children in two when she travels all over the country, and work to reach a high at the end of the deal with Pierce Brosnan investment wizard.
Such as Parker's character, and I do not know how to do it want to have everything, and has trouble committing to a course of action. Intended Parker to be seen as ambitious, smart and capable, but for comedy, she trips on itself, raising her skirt above her waist to adjust her underwear, while not aware of it on a video call conferences, misidentifies how many kids have, gets on the case in the world in terms of the amounts of head lice. Message of the film is ostensibly that the women of modern can be everything if their priorities are straight, but this thought somehow coexist with the off-putting sermon "in an attempt to be a man is a waste of Women", the film packed, franticness overstructured undermine attempts at emotion and meaning at every turn . In some ways it's comedy sweet, and it's packed with gags enough that many of them up inevitably the home, particularly those involving Olivia moon that nothing is far from bright up coming and who sees Parker an example of scary how emotional attachments ruin the profession of a perfectly good . But under the beating at all, it embodies the cliché again: the story of the father of cell phone addicts learn about the joys of stopping to smell the diapers.